Last year, actor Jude Law stated he had no concerns about backlash for portraying Vladimir Putin in a cinematic adaptation. The movie, however, may align so closely with the carefully constructed image circulated by official channels that, domestically, it reads as a compliment rather than a challenge.
Over a long period, the Russian political apparatus and its pop-culture machine have collaborated to forge a made-to-measure version of Putin. This figure is a political superhero without age or mistakes, a former spy reimagined as a Russian James Bond who always knows more than he reveals.
“Domestically, the manufactured Putin has long eclipsed the actual person.”
A notable instance is a television show launched last fall, helmed by a pro-government filmmaker. Its main character is a invented security officer selected by fate to “rescue” the nation from disorder. Although he is called a different name, the message is unmistakable: the hero must be a familiar security officer.
Western portrayals often end up reinforcing this same narrative instead of debunking it. A new film inspired by a popular book aims to undermine the leader's mythology by framing him not as a cause but as a consequence, shifting the focus to the spin doctors around him.
In the film, the president is presented as having been chosen by powerful oligarchs to stabilise the nation because he is “young, athletic and a spy”. They visit him and practically plead him to take the top job. His response is that he would rather govern from the background, seeking permanent power.
This tale is the Kremlin’s export myth: the cool, reluctant strategist guided by fate. In reality, none of this ever happened.
No one actually pleaded with Putin to accept the role. The presidency was effectively a casting call with many contenders. At the centre to this process stood an influential oligarch from the Yeltsin era who expected to run the country de facto.
“The goal wasn't a strong candidate, they needed someone controllable, someone who would obey orders.”
Experts agree that the notion of Putin as a master operative was constructed retrospectively. Claims about his clandestine activities in Dresden do not stand up to scrutiny. In essence, he handled paperwork and technical tasks, a mid-level functionary not involved with actual agent work.
Curiously, the move to depicting him as a “spy” may in part have been triggered by Daniel Craig’s arrival as James Bond. His harder interpretation led Russian media and online audiences to draw visual parallels with Putin. Edited images replacing the actor's likeness with Putin’s appeared on Moscow streets, fueling the growing tendency to frame him as a local secret agent.
Given the casting, an star popular with viewers there, the Kremlin will not miss the opportunity to portray this choice as a minor diplomatic triumph. The film's omission of mass protests, the political rivals, or key figures in the story, even though it includes the past decade, is a pleasant bonus for state propaganda.
Domestically, the president is often an omnipotent figure who never appears on screen. His influence is signaled through photographs or calls “from above”. In this new film, he finally acquires a recognizable face—one that may inadvertently echo the very myths it perhaps aims to examine.
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